History of Djs music, Information on Music Djs.

In the past, Mobile DJs utilized vinyl records or cassettes. During the Disco era of the 1970s, demand for Mobile DJs soared, and top Disc Jockeys travelled with hundreds of vinyl records and cassette tapes. The heavy equipment required roadies to set up. While many Club Disc Jockeys still use vinyl, most Mobile DJs currently use Compact discs, computer-based files named mp3, or a combination of sources. In addition, professional-grade equipment created by a variety of companies expressly for Mobile DJ has allowed for faster step-up and break-down, as well as improved quality of performance.

Bands had long dominated the wedding entertainment industry, but with the advent of the less expensive and more versatile Mobile DJ, their market share dwindled. Mobile DJs offer the advantage of being able to play music in a wide variety of styles by a wide range of artists, as they use the artists’ own original recordings. In addition, audiences or planners that formerly could not afford music for their event are now able to hire a Mobile DJ while still staying within their budget

In the 1980s and 1990s, Mobile DJs began to appearance and develop associations and create trained business network, which now include annual trade shows and Internet discussion forums. Today, many Mobile DJs also promote themselves as an event’s planner, organizer, and Master of Ceremonies.

Working closely with their customers, their guests, and other vendors such as videographers, today’s professional Mobile DJs strive to provide excellence entertainment that fits the occasion in question in terms of style and performance. And spread the word about the emerging technologies Mobile Disc Jockey

Birth day of djs
In 1934, American commentator Walter Winchell coined the term "disc jockey" (the combination of "disc", referring to the disc records, and "jockey", which is an operator of a machine) as a description of radio announcer Martin Block, the first announcer to become a star. While his audience was awaiting developments in the Lindbergh kidnapping, Block played records and created the illusion that he was broadcasting from a ballroom, with the nation’s top dance bands performing live. The show, which he called Make Believe Ballroom, was an instant hit. In the 1940s, Musique concrete composers used portions of sound recordings to create new compositions. This is the first occurrence of sampling.

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